LotR trilogy is an adaptation of an already classic tale, specifically stylized after legends and folk stories. It’s seeming naivity and lack of newer approaches is intentional and suggested by it’s source material. It is a compelling journey into the Middle-Earth, where said tone is complimented by thosands of competent people in it’s production, together creating an extraordinary piece that can hardly be reproduced anytime soon or matched in it’s own league of fantasy-aligned stuff.

Favorite movies are: Memento, Reservoir Dogs, Everything Everywhere All At Once, The Shining

While LotR wasn’t shy of looking older (to buy some ale, eh?), every one of your favorite movie is characterised by explicit use of newest post-modern tropes or approaches.

RD is Tarantino’s first mixtape of what he liked in movies with some layers of abstraction and purely staged interactions, The Shining is a theme park of moments where Stanley can go full Kubrik, Memento is an intentional Nolan’s sabotage of a plot structure to create a new experience, and EEAaO is an impressive patchwork of gags, drama and trope reversals fit so tightly in it I thought I’m scrolling bits on tiktok. All ace at something they are meant to.

It’s not to say that one is easily better than the other, but they are hardly comparable because they don’t strive to do the same thing, and if you are into movies that play with your expectations and try hard to keep your engaged and puzzled, you’d obviously have a hard time with movies that paint their own picture for you to observe and vibe with.

That’s, like, your taste, lemming.